Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and enjoy free activities for the young and young in your mind. You can participate in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or build relationships Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times in the theater. Family days are generously sustained by a grant through the Austin Community Foundation, with in-kind support provided by Terra Toys.
Below is a schedule that is detailed
Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead writing activities at the top the hour from 10 a.m. through 4 p.m.
Join a docent-led tour of the exhibition at noon, 2 p.m., and 4 p.m.
Enjoy story time into the theater at 1:15 p.m. and 3:15 p.m.
Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.
Complete Lewis Carroll–inspired math activities with Math Happens as you tour the galleries.
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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors
The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The film strips portray two of the most extremely memorable parts of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and kept in colorfully printed little boxes. The Movie Jecktors might have been used in combination with a toy film projector to create a simple animation.
The Ransom Center’s Movie Jecktors required conservation before they may be safely displayed in the galleries. Both the wooden dowel therefore the storage box, which can be made from wood pulp cardboard, had a acid content that is high. An acidic environment is harmful to paper. The Movie Jecktors had become brittle and discolored, and there were many tears and losses into the paper. The movie strips had been repaired in the past with pressure-sensitive tapes (the tape that is common all use to wrap gifts). These tapes will never be right for repairing paper that we hope to preserve simply because they deteriorate and often darken over time and may also be tough to remove once in place.
As the Ransom Center’s paper conservator, I removed the tapes using a tool that is heated reduced the residual adhesive using a crepe eraser. I mended the tears and filled the losses using paper that is japanese wheat starch paste. For the fills, the Japanese paper was pre-toned with acrylic paint to permit these additions to blend because of the original paper. Regions of ink loss were not recreated.
People to the exhibition can see the aspects of the filmstrips which were damaged, but those areas are now actually stabilized and less distracting. This kind of treatment reflects the practice of conservation to preserve, although not “restore,” the object’s appearance that is original. Libraries, archives, and museums today often choose the conservation approach as it allows researchers along with other visitors a far better comprehension of the object’s history, including damages that occurred, which might talk to the materials utilized in the object’s creation.
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Please click on thumbnails to enlarge images.
Easter hours weekend
The Ransom Center will likely to be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.
Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are needed.
Admission is free. Your donation will support the Ransom Center’s exhibitions and programs that are public. Parking information and a map can be obtained online.
Please additionally be conscious that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on April 4 saturday.
Have the Harry Ransom Center’s latest news and information with eNews, a monthly email.Subscribe today.
John Crowley, whose archive resides during the Ransom Center, is an author that is american of, science fiction, and mainstream fiction. He published his novel that is first Deep, in 1975, and his 14th volume of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He’s got taught creative writing at Yale University since 1993. A special 25 th -anniversary edition of his novel Little, Big will undoubtedly be published this spring. Below, he shares how Lewis Carroll’s classic Alice’s Adventures in Wonderland influenced his own work.
A vital (best sense) reader of might work once wrote a complete essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice type of title to start with. Some of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained in me that they simply form section of my vocabulary. I first heard them read out loud: my older sister read them to me whenever I was about eight years old. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for many books read or heard at certain moments in childhood, there is absolutely no first reading: such books enter the mind and soul as if they had always been there. I do remember my response to Through the Looking Glass: I found it unsettlingly weird, dark, dreamlike (it really is in fact the dream-book that is greatest ever written). The shop where in actuality the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing in addition to sheep in the stern knitting (!)—it wasn’t scary, however it was eerie I was then becoming a connoisseur because it so exactly replicated the movements of places and things and people in my own dreams, of which. How did this written book find out about such things?
Another connection that is profound have with Alice I only discovered—in delight—some years back in (of all of the places) the Wall Street Journal. In a write-up about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel, this neurological condition makes objects (including one’s own parts of the body) seem smaller, larger, closer or maybe more distant than they are really. It’s more common in childhood, often in the onset of sleep, and can even disappear by adulthood…”
We have tried to describe this syndrome to people for years, and do not once met anyone who recognized it from my descriptions. In my experience it’s more odd a feeling than this, and much more ambivalent: personally i think (or felt, as a child, almost never any more) as if my hands and feet are huge amounts of miles distant from my professional college essay help head and heart, but in the same time I am enormously, infinitely large, and thus those parts are in exactly the same spatial relation to myself as ever, and on occasion even monstrously closer. It was awesome when you look at the sense that is strict not scary or horrid, uncomfortable but also intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it on my resume: “John Crowley was born in the appropriately liminal town of Presque Isle, Maine, so that as a kid suffered from or delighted in Alice in Wonderland syndrome.”